Louis Paxton's film, 'The Incomer,' takes viewers to a secluded island off the northeast coast of Scotland, where two orphaned siblings, Sandy and Isla, have spent their lives in isolation, far removed from modern mainland society. The narrative hinges on mythical seagull legends, a central element that, unfortunately, contributes to what is described as an aggressively unfunny and abrasive comedy, strictly catering to a niche audience.
Amidst the film's quirky and often grating humor, Domhnall Gleeson shines as Daniel, a gentle land recovery coordinator from the mainland. His character, an awkward outsider with moral reservations about evictions, is sent to the island to negotiate with Sandy and Isla. The siblings, whose names humorously evoke a simpler, almost cartoonish existence, have lived alone for three decades, adhering to ancestral folklore that paints outsiders as threats. Isla, the more dominant of the two, frequently recounts these tales to her simple-minded brother, Sandy, and alarmingly mistakes a mundane item for a weapon, leading to predictable but not particularly humorous scenarios.
The movie's attempt at whimsical charm, including the use of Selina Wagner's animation to illustrate island folklore and the siblings' primitive bird costumes, often falls short. While it aims for heartwarming moments and a unique exploration of human connection, the narrative is plagued by a "twee overload." Despite the film's shortcomings, Gleeson's nuanced performance as Daniel, who eventually tries to offer the siblings a better life on the mainland, provides a touch of poignancy, highlighting themes of social justice and the fear of change in a modern world.
Ultimately, 'The Incomer' is a film that, despite its best intentions and a commendable performance from its lead, struggles to find its comedic footing. It presents a story of contrasting worlds and the clash between tradition and progress, inviting reflection on how we adapt to the unfamiliar and the importance of empathy in bridging divides, even when initial interactions are met with resistance and misunderstanding.